Produced by Super-nova Studios
Editing - C-JAM Studios
Directed by Alex Long
Written by James Doughty
Sound - Marlon Huseyin-Sharp
Cinematography - Chris Woods
Starring -
James Doughty
Chris Woods
Alex Long
Showing posts with label Alex. Show all posts
Showing posts with label Alex. Show all posts
Wednesday, 16 March 2011
Monday, 14 March 2011
Feedback from Amar & Tanya
Things to improve:
- Need to add more music underneath the opening sequence to build up the ending music
- Establishing shots/introduction to psychiatrist as this scene is only one shot and is 1 minute long, so we need to keep the audience interested.
- More questions from psychiatrist
- Ending is trailer-like
Positive feedback:
- Good camera shots and cuts (camera remains focused on the victim during the psychiatrist scene)
- Good acting (psychiatrist scene)
- Good sound, works well with the cuts (ending)
- Ending is trailer-like (makes you want to keep watching)
Monday, 7 March 2011
Feedback from Class
From the classes feedback we can identify that we need to incorporate a lot more detail in our posts, like adding opinions, more pictures with captions, videos and reasons for why we have put the pictures on our blog. We also need too post more analysis of thrillers to show we have better understanding of the genre. Other things we need to include are; story board, thriller poster, analysis of thriller and certification. We have used good technical language in our posts but we could use more of them to make our posts more detailed and show we have a better understanding of what we are writing.
Wednesday, 16 February 2011
Shot List
1. Opening shot of the psychiatrist (Over the shoulder shot)
2. Shot of victims feet as he walks down the corridor
3. POV of victim walking down the corridor
4. Shot of stalker following victim
5. Victim POV shot looking around to find no one there
6. Shot of victim continuing to walk down the corridor and the stalker in the distance walking past
8. Shot of psychiatrist looking at the victim in the therapy session
2. Shot of victims feet as he walks down the corridor
3. POV of victim walking down the corridor
4. Shot of stalker following victim
5. Victim POV shot looking around to find no one there
6. Shot of victim continuing to walk down the corridor and the stalker in the distance walking past
8. Shot of psychiatrist looking at the victim in the therapy session
Monday, 14 February 2011
Thriller Names
- Strike
- Thunder
- Twice
- Shock
- Rush
- Fate
- Paranoia
We have decided to call our thriller 'Paranoia'
- Thunder
- Twice
- Shock
- Rush
- Fate
- Paranoia
We have decided to call our thriller 'Paranoia'
Monday, 31 January 2011
Location Ideas
Test Shots
This is a shot we could possibly use for the victim being followed through the woods.
This is a shot of some paint on a tree that could be used to represent blood.
This is a shot where the victim could be followed.
This is a shot of where the killer could hide.
This is a shot under the bridge, we took this because we thought it looked spooky.
This is another shot of under the bridge, possible where the villain could organise his crimes.
This is shot from high up looking down into the woods.
This id s point of view shot.
This is a shot of the victims feet.
Monday, 24 January 2011
Thursday, 20 January 2011
The International
The opening scene to 'The International' uses a mixture of music and mise-en-scene to make you feel very uneasy and vulnerable. One reason is because you are very disconnected with what's going on, you feel as if you're in danger. You never actually see the bad guys face and the fact that it's out in the open makes you an easy target.
Wednesday, 19 January 2011
In this sequence we have an opening for a thriller called 'Fool's move' in which it shows a chess game being played. A chess game can reflect the complexities of a thriller narrative in the way that in chess you are going out to lure, trap and defeat your opponent. its also requires a lot of planning and intelligence to find out your opponents weakness so your able to trap him and defeat him which is similar in the way that in a thriller the antagonist goes out to kill or capture the protagonist and exploits their weakness.
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